Volunteered at the
Calgary International Film Festival this week. Highly recommended - the films were amazing and being on the usher crew at the Globe was a lot of fun - it was a side of Calgary I really enjoyed seeing. The power of film never ceases to amaze me and it was great to get to hear the inspiring producers/directors introduce the films and answer questions afterwards.
My Highlights:

"...Mojave Phone Booth is a complex look at our culture’s increasing lack of human contact and the desperate need to be heard." - Amy Dykstra
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Manufactured Landscapes is a feature length documentary on the world and work of renowned artist/photographer Edward Burtynsky, as he travels the world observing changes in landscapes due to industrial work and manufacturing. Burtynsky makes large-scale photographs of "manufactured landscapes." Alternatively, places that seemingly is ugly to the human eye, such as quarries, recycling yards, factories, mines, and dams. The film follows Burtynsky to China as he travels the country photographing the evidence and effects of that country’s massive industrial revolution. Sites such as the Three Gorges Dam, which is bigger by 50% than any other dam in the world and displaced over a million people, factory floors over a kilometre long, and the breathtaking scale of Shanghai’s urban renewal. Shot in Super-16mm film by legendary cinematographer Peter Mettler, Manufactured Landscapes continues the narrative that Burtynsky’s photographs convey by allowing people to think about the impact that is occurring to planet Earth." - Stephanie Brown
Everything's Gone Green - screenplay by Douglas Copeland "Can you possibly find happiness, compassion, spirituality and romance in the 21st century? Would you achieve capitalist gains through non-ethical means? Are your traditional middle-class values quickly disintegrating? Canada's foremost "Generation-X" pop culture guru Douglas Coupland raises these notions through his first story written specifically for the movie screen. This is the second feature-length movie from filmmaker Paul Fox (The Dark Hours). Ryan (Paul Costanzo), a twenty-something slacker is tempted into a money-laundering scheme while struggling to discover the meaning of life in contemporary multicultural Vancouver. His older brother and hippie friend are turning profits in not-so-ethical and not-so-legal ways. His unemployed parents discover new organic anti-establishment opportunities. Even the beautiful woman he desires is more comfortable to be pampered by a big-time car thief!" - Ben Tsui.
Radiant City"Urban sprawl is eating the planet. Across the continent the landscape is being leveled - blasted clean of distinctive features and overlaid with zombie monoculture. Politicians call it growth. Developers call it business. And the Moss family calls it home.Gary Burns, Canada’s king of surreal comedy (waydowntown), joins journalist Jim Brown on an outing to the ‘burbs in order to turn the documentary genre on its head. Cultural prophets provide insight on the spectacle. James Howard Kunstler, author of The Geography of Nowhere, rails against the brutalizing aesthetic of strip malls. Philosopher Joseph Heath fears the soul-eating suburbs but admits they offer good value for money. And urban planner Beverly Sandalack dares to ask, “Why can't we walk anywhere anymore?” Burns and Brown rummage through a toy box of cultural references from Jane Jacobs to The Sopranos, and riffing off sitcoms and reality TV, they play fast and loose with a range of cinematic devices to consider what happens when cities get sick and mutate." - Jill Nunns
The Giant Buddhas"Religious fanaticism led to the destruction by the Taliban in 2001 of two massive Buddhas carved into a cliff in Afghanistan 1500 years ago. Academy Award nominee Christian Frei (War Photographer) explores both the origins of the Buddhas and the implications of their destruction, in a beautifully photographed and thought-provoking documentary. The film interweaves several journeys, from the seventh-century Chinese monk, Xuanzang, to Afghan-Canadian author and actress Nelofer Pazira’s return to the site in Bamiyan, as well as the film-maker’s own odyssey. A diary reference by Xuanzang points to the possibility of a further undiscovered giant Buddha. Preliminary archaeological work to uncover this Buddha is shown, as well as a failed Chinese attempt to replicate the statues. David Courier (Sundance Film Festival) notes that “The Giant Buddhas is a stirring example of the power of cinema to enlighten as it defies the boundaries of culture and time.” - Alan Dyment
Buddhas of BamiyanMovies for the rental list this winter:
Little Miss Sunshine
Half Nelson
White Planet
The Journals of Knud Rasmussen
Volver
I am
The Companion